Cruz Sunú Original Oil – Mayan Weavers & Textiles, 7" x 15.25"

This original oil painting by Pedro Arnold “Cruz” Sunú, a celebrated Tz’utujil Maya artist from Sololá, Guatemala, beautifully captures three indigenous women at their backstrap looms—one of the artist’s most iconic themes. Sunú is internationally recognized for his vibrant “espaldas” compositions, and this work showcases his signature use of thick, sculptural impasto that mimics the tactile quality of woven Mayan textiles. Each figure represents a distinct village—Santiago Atitlán, Chichicastenango, and Santa Catarina Palopó—their traditional huipiles faithfully rendered with extraordinary color and detail.

The scene reflects Sunú’s lifelong dedication to honoring Maya women as essential cultural bearers. With its rhythmic textures, dynamic palette, and deep cultural storytelling, this signed canvas exemplifies the qualities that have brought Sunú international attention and a growing collector base. A striking and culturally rich addition to any Latin American or folk art collection.
Condition

Good condition. No damage or wear.

Dimensions

Height: 7 inches
Width: 15.25 inches

Artist Biography

Pedro Arnold Cruz Sunú is an acclaimed Guatemalan painter whose work celebrates the cultural richness of the Maya–Tz’utujil community. Born in Sololá, Guatemala, he grew up immersed in the vibrant traditions, textiles, and spiritual life of his people—an influence that would shape his artistic identity from a young age. Surrounded by the colors of markets, ceremonies, and the natural beauty around Lake Atitlán, Sunú developed an early passion for painting, encouraged by a family deeply connected to local customs.

Despite his strong artistic drive, Sunú’s childhood was marked by financial hardship. One of eight children in a farming family, he left school at thirteen to help support his household. Determined to pursue art, he saved enough by 1998 to enroll in the Escuela Nacional de Artes Plásticas in Guatemala City, a leading institution for fine arts, sculpture, and graphic arts. Although he could only complete three of the five years due to family obligations, his training laid the technical foundation that he continued to refine independently upon returning home.

By 2004, Sunú was gaining recognition, selling paintings to galleries in Santiago Atitlán and later exhibiting in Guatemala City and La Antigua. His signature artistic contribution is the development of the “espaldas” (backs) series—portraits of indigenous women shown from behind, dressed in intricately patterned huipiles unique to more than twenty Guatemalan villages. To achieve the illusion of woven fabric, Sunú uses extremely thick, layered oil paint, producing a tactile, textile-like surface that has become central to his visual language. He honors Maya women as cultural bearers, using pattern, color, and narrative structure to preserve and elevate their traditions.

Sunú’s work extends beyond aesthetic value; it is deeply rooted in storytelling. His paintings often depict ritual life, daily labor, Mayan symbolism, and the natural world. He has exhibited widely—throughout Guatemala, the United States, Canada, Honduras, and abroad—and continues to gain international attention for bridging tradition with contemporary expression.

Today, Pedro Arnold “Cruz” Sunú lives and works in San Pedro La Laguna, where he remains committed not only to painting but also to sustaining indigenous artistic practices, collaborating with local artisans, and supporting cultural preservation within his community.